Hey hey, long time, no tweet, or something.

I'm considering a Happy Birfday Livetweet celebration on Thursday, November 5, 2009. Possibilities: The Adventures of Buckaroo Banzai Across the Eighth Dimension; The Lion in Winter; Husbands; The Sound of Music. It would likely commence around 9 PM, Birthday Girl time.

Watch this space.

I had made a mistake in my earlier post. My proposed Halloween-themed Live-Tweet will be Saturday 10/24 at 3pm EST so that people across the pond can participate too (Amber Wilkinson, also known on Twitter as "Ninjaworrier," had expressed interest and because more participants is the goal here, I figured it only made sense to try to accommodate said request).

Scorsese's opulent masterpiece, a conchless affair meant to (1) keep us occupied while we await Filmbrain's conch-certified choice and (2) refresh our live-tweeting muscles before Simon Abrams's extra-spooky Halloween number. Exact time to be announced later.

Let's go back (How far back? Way back!) to the original superhero movie, The Batman (1946, Orson Welles). Long considered to be a minor footnote to Welles' filmography, the resurgence of the superhero movie (and the unprecedented critical and financial success of The Dark Knight) has brought new attention to this now-classic from fanboys and critics alike.

Mark Millar's now-famous column for Comic Book Resources brought some fascinating backstory on the production to light. Welles intended an all-star cast: Basil Rathbone as the Joker, James Cagney as the Riddler, George Raft as Two-Face and Marlene Dietrich as Catwoman. When budget constraints and studio politics forced Welles to scratch that plan, he went back to his Mercury Theater roots. But what a stroke of luck that turned out to be! Price's Joker and Conried's Riddler would set the standard for the (defanged) 60s TV show interpretations, and Paul Stewart's brief turn as Harvey Dent (a.k.a. "Two-Face") is both fearsome and heartbreaking, and one of the unheralded actor's best performances.

Yet it's Welles, as both actor and director, that ultimately dominates. Welles is characteristically feisty, and his alienating (and sometimes grating) mise-en-scene and editing would anticipate his 1962 adaptation of The Trial. Much like Oedipus and the murder mystery tale, Welles' superhero film simultaneously invents the genre and turns it on its head.

Please join me in watching and live-tweeting what James Agee called "...a confounding and at-times unpleasant psychological drama, hidden under the mask of a children's adventure serial..."

This live-tweet will use the hashtag #owb.

THE BATMAN

RKO, 1946

Written and Directed by Orson Welles

Produced by S.P. Eagle

Cinematography by Russell Metty

Orson Welles as Bruce Wayne/Batman

Joseph Cotten as Commissioner James Gordon

Vincent Price as The Joker

Hans Conried as The Riddler

Paul Stewart as Harvey Dent/Two-Face

Dolores del Rio as Catwoman

I realize the baton has been in my possession for a few weeks now, and I apologize for not posting something sooner. My alternate life as head of a DVD distribution company has been keeping me extremely busy.

Those who know me best know that my tastes in film tend to run towards the downbeat - dysfunctional relationships a specialty. (Hmm....wonder why that is?) On top of that, my DVD collection skews heavily towards the foreign, which raises an interesting question: Would a live-tweet of a non-English language film be possible? Enjoyable? Or would it simply become sensory overload?

Then of course there's the issue about finding a title that enough people are familiar with. For example, I'd love to live-tweet Chinese Roulette, but how many know the film well enough?

I'll wait to hear some responses on the foreign film question, and in the interim think of some titles that are in American.