For My Birthday: SOUTHLAND TALES Live-Tweet 1/22 at 11:30pm EST


Hey all.

My birthday's coming up (January 24th, if we're going to be technical) and while I'd love to see all of you at the lil get-together I'm having that evening at The Ginger Man (6:30pm; be there), I realize that that's not going to happen for some of my new out-of-state chums. So I figured let's celebrate the way the lovely and amazing Marya Murphy did this past year--with a live-tweet!

So. January 22nd. 11:30pm EST. Richard Kelly's much-maligned Southland Tales.

I chose this film because it deserves a lot better than it's gotten. I'm sorry but people who see a crude mess in it are just plain wrong. I've written extensively on the film in the past and now am cashing in my birthday chips to get people to see what the fuss is about. @Patrick_Pogo and I will do our best to show you why underneath its aggressively loud exterior is an amazing film about "The Information Age," about the destruction of history and of identity and about how we're so stoopid and desperate that we'd use holy fire for a renewable energy resource. It's all there and then some, I swear and it only gets better when you know what to look for. This is Kelly's ballsiest film, the one with all of its ideas running pell-mell, helter-skelter for the simple reason that he doesn't expect you to keep up.

It's the end of the world in Southland Tales because there's too much distracting data and too many false prophets claiming they understand it all for anyone to get it all. Underneath its breakneck, broad frathouse humor is a dark and smirking celebration of a society that's become so unglued that the only people to realize what's going on are three schizophrenic soldiers and even they only understand that the world is ending, never really why. This is a film about the disintegration of language, of the use of everything from religion to Karl Marx to explain what's going on and why we'll never understand the brutally unkind way Kelly's God destroys us without so much as an explanation--not with a whimper but with a last gasp view of America as the butt of a divine, cosmic joke.

Join us. It'll be fun. And heady. And silly. And long. And exciting. And obnoxious. But mostly fun.

Hashtag is #rkstales
Posted on 1/13/2010 07:27:00 AM by Simon Abrams and filed under , , | 1 Comments »

1 comments:

James Nesten said... @ February 18, 2013 at 5:55 PM

Dan Zukovic's "DARK ARC", a bizarre modern noir dark comedy called "Absolutely brilliant...truly and completely different..." in Film Threat, was recently released on DVD and Netflix through Vanguard Cinema (http://www.vanguardcinema.com/darkarc/darkarc.htm), and is currently
debuting on Cable Video On Demand. The film had it's World Premiere at the Montreal Festival, and it's US Premiere at the Cinequest Film Festival. Featuring Sarah Strange ("White Noise"), Kurt Max Runte ("X-Men", "Battlestar Gallactica",) and Dan Zukovic (director and star of the cult comedy "The Last Big Thing"). Featuring the glam/punk tunes "Dark Fruition", "Ire and Angst" and "F.ByronFitzBaudelaire", and a dark orchestral score by Neil Burnett.

TRAILER : http://www.youtube.com/watch?v=mPeG4EFZ4ZM

***** (Five stars) "Absolutely brilliant...truly and completely different...something you've never tasted
before..." Film Threat
"A black comedy about a very strange love triangle" Seattle Times
"Consistently stunning images...a bizarre blend of art, sex, and opium, "Dark Arc" plays like a candy-coloured
version of David Lynch. " IFC News
"Sarah Strange is as decadent as Angelina Jolie thinks she is...Don't see this movie sober!" Metroactive Movies
"Equal parts film noir intrigue, pop culture send-up, brain teaser and visual feast. " American Cinematheque

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